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Showing posts with label <b>Sound poetry</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Sound poetry</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 115%;"><a href="http://juanangelitaliano.bandcamp.com/track/dad-soir-e"><span style="color: red;">Dadá Soirée</span></a></span></i></div>
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<a href="http://oia.osu.edu/news/2778-uruguayan-poet-luis-bravo-to-lecture-perform-at-ohio-state.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Luis
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Bennett</span></a>,<br />
<a href="https://soundcloud.com/catherine-mehrl-bennett"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Catherine
Mehrl Bennett</span></a>, <a href="http://cmehrlbennett.wordpress.com/category/visual-poetry/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Santiago
Olivera</span></a>,<br />
<a href="http://surrism.phonoethics.com/release/damian-taveira-juan-angel-italiano-en-la-cuna-de-la-palabra/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Damián
Taveira</span></a> &amp; <a href="http://italiano65.blogspot.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Juan
Angel Italiano</span></a></span></div>
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<h2 class='date-header'><span>Tuesday, December 24, 2013</span></h2>

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<a href="http://en.wikipedia.org/wiki/Jackson_Mac_Low"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Mac</span></a> <a href="http://www.jacksonmaclow.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Low</span></a> <o:p></o:p></span></b></div>
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<h2 class='date-header'><span>Saturday, March 24, 2012</span></h2>

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<p class=MsoNormal align=center style='text-align:center;line-height:150%'><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Sound poetry by<br> <a href="http://thisisvisualpoetry.com/?p=416"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Satu</span></span><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'> <span class=SpellE>Kaikkonen</span></span></a> &amp; <a href="http://willtoexchange.blogspot.com/2007/02/interview-with-karri-kokko.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Karri</span></a> <a href="http://lettttere.tumblr.com/"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Kokko</span></span></a><br> from the 2011 Text Festival<span class=GramE>,</span></span><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"'><br> Bury Parish Church<br> Bury, Lancashire<br> April 30, 2011<o:p></o:p></span></p>  <p class=MsoNormal align=center style='text-align:center;line-height:150%'><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;line-height: 150%;font-family:"Arial","sans-serif";color:#0D0D0D;mso-themecolor:text1; mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>(<span class=GramE>with</span> thanks to <a href="http://vimeo.com/geofhuth"><span style='color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Geof Huth</span></a></span></i><i style='mso-bidi-font-style: normal'><span style='font-size:8.0pt;line-height:150%;font-family:"Arial","sans-serif"'> &amp; the Text Festival)<o:p></o:p></span></i></p>   
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<h2 class='date-header'><span>Tuesday, November 15, 2011</span></h2>

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<h2 class='date-header'><span>Monday, December 02, 2002</span></h2>

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<span style="font-family: Arial;">Robert Kelly&#8217;s <i style="mso-bidi-font-style: normal;">Finding the Measure </i>is full of poems of
great interest beyond the &#8220;prefix&#8221; I looked at yesterday, only five of which
(out of 43) make their way into Kelly&#8217;s selected <i style="mso-bidi-font-style: normal;">Red Actions. </i>While the &#8220;prefix&#8221; is included, among my favorite of
the excluded works is &#8220;On a Picture of a Black Bird Given to Me by Arthur
Tress,&#8221; as close to an objective poem as <i style="mso-bidi-font-style: normal;">Measure
</i>contains. It opens:<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span style="font-family: Arial;">Raven<span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>in
</span><st1:state><st1:place><span style="font-family: Arial;">Chiapas</span></st1:place></st1:state><span style="font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">beak</span></span><span style="font-family: Arial;"> up open to<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<st1:state><st1:place><span class="GramE"><span style="font-family: Arial;">fla</span></span></st1:place></st1:state><span class="GramE"><span style="font-family: Arial;">t</span></span><span style="font-family: Arial;"> white Mexican light<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">against</span></span><span style="font-family: Arial;"> which an arch is breaking its back to join the
broken sky<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">barbs</span></span><span style="font-family: Arial;"> of its feathers hang down, it cries out<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">for</span></span><span style="font-family: Arial;"> a world full of carrion<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">but</span></span><span style="font-family: Arial;"> its claws<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">hold</span></span><span style="font-family: Arial;"> firm &amp; </span><st1:state><st1:place><span style="font-family: Arial;">fla</span></st1:place></st1:state><span style="font-family: Arial;">t<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">
<span class="GramE"><span style="font-family: Arial;">the</span></span><span style="font-family: Arial;"> top of the ruined sill<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">The poem demonstrates
conclusively Kelly&#8217;s ability to be far more than a poet of pure statement. The
prosody of that first stanza is simply stunning &#8211; not a single syllable that
does not actively contribute above &amp; beyond the denotative level of the
words or their connotative resonances. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Another wonderful poem can
be found on the facing page, &#8220;To the Memory of Giordano Bruno,&#8221; a poem in two
columns, the right one of which has it is lines, words &amp; letters printed in
reverse, so that one need read it in a mirror. A third excluded poem that
certainly had its impact on the young </span><st1:personname><span style="font-family: Arial;">Ron Silliman</span></st1:personname><span style="font-family: Arial;"> as reader is &#8220;First in an Alphabet of Sacred
Animals,&#8221; a meditation on murder that begins<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">The
ANT for all his history is a stranger<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">&amp;
his message is the gospel of an alien order<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">&amp;
his &amp; his &amp; his<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">works</span></span><span style="font-family: Arial;">
are furious in the crust of the earth<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">his</span></span><span style="font-family: Arial;">
house &amp; his </span><st1:city><st1:place><span style="font-family: Arial;">brea</span></st1:place></st1:city><span style="font-family: Arial;">d<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">(We
must start with him because he is other,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">he</span></span><span style="font-family: Arial;">
comes from a nowhere underneath us<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">&amp;
returns again &amp; does not know us)<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">this</span></span><span style="font-family: Arial;"> is
the easiest animal to kill.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">Today
I did not kill an ant<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 3;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span class="GramE">a</span> great big
black one<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">&amp;
it became necessary to think<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">of</span></span><span style="font-family: Arial;"> the
price of an ant&#8217;s death:<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 4;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span class="GramE">nothing</span> we do<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">is</span></span><span style="font-family: Arial;">
without consequence)<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 3;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>&amp; in the taking of an ant&#8217;s life<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">is</span></span><span style="font-family: Arial;"> the
taking of life<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">But
the ant is not an albatross &amp; dies easy<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">&amp;
soon his carcass is gone, who knows where they go<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">the</span></span><span style="font-family: Arial;">
bodies of insects we kill,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 4;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp; </span><span class="GramE">when</span> we take life<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 4;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp; </span><span class="GramE">what</span> do we give?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">-What
is the <span class="GramE">price</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">of</span></span><span style="font-family: Arial;">
killing an ant<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">-What
intricate microscopic karma do we <span class="GramE">fulfill</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">in</span></span><span style="font-family: Arial;">
crushing him<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">-What
cosmic debt does he repay under my <span class="GramE">foot</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">-Will
we notice the <span class="GramE">pain</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">with</span></span><span style="font-family: Arial;">
which we must one day surely atone for his death<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">-Or
are there beings (&amp; are there beings)<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">who</span></span><span style="font-family: Arial;">
step on us lightly as we tread ants?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">that</span></span><span style="font-family: Arial;"> is
the hideous question someone is always asking<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<st1:country-region><st1:place><span style="font-family: Arial;">Egypt</span></st1:place></st1:country-region><span style="font-family: Arial;"> after </span><st1:country-region><st1:place><span style="font-family: Arial;">Egypt</span></st1:place></st1:country-region><span style="font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal">
<span class="GramE"><span style="font-family: Arial;">&amp;
onward for another page before concluding with a section in prose.</span></span><span style="font-family: Arial;"> Kelly&#8217;s thesis here, as elsewhere, is compelled not
to argue for the ant simply for its sake, but to connect it up, here to </span><st1:country-region><st1:place><span style="font-family: Arial;">Egypt</span></st1:place></st1:country-region><span style="font-family: Arial;"> &amp; thus to that larger system within the word
&#8220;Sacred&#8221; in the title. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Also excluded from <i style="mso-bidi-font-style: normal;">Red Actions </i>is the twelve-part &#8220;Zodiac
Cycle,&#8221; a series that is accorded pride of place in <i style="mso-bidi-font-style: normal;">Measure</i>, with each section &#8211; individual poems really &#8211; illustrated
with its astrological symbol printed large in deep blue <span class="GramE">ink.</span>
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">A closer reading of <i style="mso-bidi-font-style: normal;">Red Actions</i></span> <span style="font-family: Arial;">would I suspect show that the elimination of a
sequence such <span class="GramE">as<span style="mso-spacerun: yes;">&nbsp; </span>&#8220;</span>Zodiac
Cycle&#8221; is not accidental. Kelly&#8217;s writing offers so very many choices &#8211; <i style="mso-bidi-font-style: normal;">Finding the Measure,</i> after all, was the
14<sup>th</sup> book of poems of Kelly&#8217;s published in just nine years; in his
spare time, he also edited <i style="mso-bidi-font-style: normal;">A Controversy
of Poets</i>, wrote a novel, <i style="mso-bidi-font-style: normal;">The
Scorpions,</i></span> <span style="font-family: Arial;">and published a liturgy &#8211;
that one could easily publish a half dozen selected editions, each of which
presented a very different Kelly. Thus while the Kelly of <i style="mso-bidi-font-style: normal;">Red Actions</i> remains a man interested in the alternate wisdom
traditions, the mysticism that was front &amp; center in his early books is
presented here as incidental. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">My own interest in Kelly, as
with </span><st1:city><st1:place><span style="font-family: Arial;">Duncan</span></st1:place></st1:city><span style="font-family: Arial;">, had more to do with measure than mysticism. To this
day I have never quite understood why these two phenomena appear to be linked,
inextricable. Sound, it has always struck me, is an ideal antidote as an
organizing &amp; motive principle for the poem to the shallow surfaces of an
unreflective dramatic monologue. Among the many poets that Kelly is &amp; has
been, is a superb practitioner of melopoiea.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">The poem that follows &#8220;First
in an Alphabet of Sacred Animals,&#8221; &#8220;Smith Cove Meditation,&#8221; has a title
reminiscent of Olson, but the text is closer kin to Gertrude Stein. It begins:<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">Across
the tone there is the one.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">Everything
is easier if there are women in it<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">but</span></span><span style="font-family: Arial;">
past the tone<span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp; </span>there is the bone,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">inside</span></span><span style="font-family: Arial;">
the bone there is the one.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">One
&amp; bone; one times bone is bone, one bone.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">One
&amp; bone are tone. Going across<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">is</span></span><span style="font-family: Arial;">
taking them away<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">from</span></span><span style="font-family: Arial;">
each other. Orphan bone,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">widowed</span></span><span style="font-family: Arial;">
one.<span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp; </span>Up on the hill<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">a</span></span><span style="font-family: Arial;"> widow
lives, nurturing the tone.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">Her son the bone.</span></span><span style="font-family: Arial;"> From their garden<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">on</span></span><span style="font-family: Arial;"> an
August afternoon<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">you</span></span><span style="font-family: Arial;"> can
see the one out on the water<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">all</span></span><span style="font-family: Arial;"> the
waves &amp; all the town&#8217;s streets<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">all</span></span><span style="font-family: Arial;"> the
bright places &amp; far<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">people</span></span><span style="font-family: Arial;">,
o some of them are gone,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">gone</span></span><span style="font-family: Arial;"> to
bone &amp; gone to one, fallen<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">the</span></span><span style="font-family: Arial;">
castle of the bone, fallen the castle<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">of</span></span><span style="font-family: Arial;"> the
enduring tone, the one<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">is</span></span><span style="font-family: Arial;"> over
the harbor.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Every plausible combination
of &#8220;o&#8221; &amp; &#8220;n&#8221; is brought to bear &#8211; one can almost feel the deeper resonance
of &#8220;afternoon&#8221; the way one might individual notes of a carillon. One might here
argue that the &#8220;tone&#8221; of this poem is the selfsame &#8220;<span class="SpellE">mantram</span>&#8221;
Kelly writes of in the &#8220;Prefix&#8221; to <i style="mso-bidi-font-style: normal;">Measure</i>,
and while it is a radically different music than the rich alternation of
consonant &amp; vowel in the description of the blackbird, what it demonstrates
precisely is Kelly&#8217;s to the poem of sound. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Arial;"><span style="mso-tab-count: 1;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Right around 1970, a number
of different events occurred that would transform the role sound played in
poetry socially. Olson&#8217;s death in January of that year, followed a year later
by </span><st1:place><span style="font-family: Arial;">Blackburn</span></st1:place><span style="font-family: Arial;">, shut the door on any hard-edged conception of
speech as the prosodic determinant of poetic form. Already Creeley had moved
toward a more relaxed notion of same in his 1968 volume <i style="mso-bidi-font-style: normal;">Pieces</i>, the potentially contradictory influences of Ted Berrigan
&amp; Louis Zukofsky combining to soften the tone of its linked sequences.
When, in early 1971, Robert Grenier declared &#8220;I HATE SPEECH,&#8221; in the first
issue of <span class="GramE"><i style="mso-bidi-font-style: normal;">This</i></span>,
he was already jousting with an opponent that had largely abandoned the field.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Similarly, </span><st1:city><st1:place><span style="font-family: Arial;">Duncan</span></st1:place></st1:city><span style="font-family: Arial;">&#8217;s decision to not publish another book for 15 years
after his 1968 <i style="mso-bidi-font-style: normal;">Bending the Bow</i> muted
his enormous influence on younger poets. Combined with Olson&#8217;s &amp;
Blackburn&#8217;s absence &amp; Creeley&#8217;s shift, </span><st1:city><st1:place><span style="font-family: Arial;">Duncan</span></st1:place></st1:city><span style="font-family: Arial;">&#8217;s step away from the scene transformed the role of
sound in the poem &#8211; so prominent a feature in poetry for twenty years &#8211; into
something of a non-issue in the 1970s. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">But if <span class="GramE"><i style="mso-bidi-font-style: normal;">This</i></span><i style="mso-bidi-font-style: normal;"> </i>magazine&#8217;s first issue proved functionally to be announcement of
this shift in poetics, it was Robert Kelly who had the literal first word:<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">If
this were the place to begin<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">is</span></span><span style="font-family: Arial;"> not,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">starts</span></span><span style="font-family: Arial;">
with the disk-sun-boat &#8211; a journey<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">we</span></span><span style="font-family: Arial;"> can
share,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 2;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp; </span><span class="GramE">a</span> precise<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">boat</span></span><span style="font-family: Arial;"> &#8211; <span class="SpellE">Gokstad</span>, not metaphor &#8211;<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">to</span></span><span style="font-family: Arial;"> our
own country<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 3;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span class="GramE">following</span> the line<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">of</span></span><span style="font-family: Arial;">
tensions between the heard &amp; the hard<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">facts</span></span><span style="font-family: Arial;">
of the world,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 2;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span class="GramE">perception</span>.<span style="mso-spacerun: yes;">&nbsp; </span>Stanza<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">of</span></span><span style="font-family: Arial;">
particulars.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;"><span style="mso-tab-count: 2;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-spacerun: yes;">&nbsp; </span>Lamplight half led<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">onto</span></span><span style="font-family: Arial;"> my
book &amp; half<span style="mso-spacerun: yes;">&nbsp; </span>held back &#8211;<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">afraid</span></span><span style="font-family: Arial;">
of the white page<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">My confession.</span></span><span style="font-family: Arial;"><span style="mso-spacerun: yes;">&nbsp; </span>The pale blue asters<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">with</span></span><span style="font-family: Arial;">
dark hearts<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Arial;">are</span></span><span style="font-family: Arial;">
everywhere these days.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Arial;">It
begins to rain.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">It is possible, even
probable, that Kelly and the editors of <span class="GramE"><i style="mso-bidi-font-style: normal;">This</i></span><i style="mso-bidi-font-style: normal;"> </i>meant
different things by putting this poem first in <i style="mso-bidi-font-style: normal;">This </i>1. As so often in Kelly, the evocation of &#8220;particulars&#8221; &#8211; in
this instance the Viking vessel <span class="SpellE">Gokstad</span> &#8211; is
something unlikely to be shared by many readers, serving less as a point of
reference than as a demarcation between those in the know &amp; those outside.
It&#8217;s in keeping with Kelly&#8217;s own long interest in alternative systems of
knowledge, and in the poet as shaman or priest. But, with the principle
exceptions of Fanny Howe, John Taggart and <span class="SpellE">Nate</span>
Mackey, an aspect of poetry that has been far less visible in the three decades
since. Thus, when the <i style="mso-bidi-font-style: normal;">Apex of the M </i>gang
were proposing, nearly ten years ago now, that langpo had short <span class="SpellE">shrifted</span> the Gnostic, they came within a hair&#8217;s </span><st1:city><st1:place><span style="font-family: Arial;">brea</span></st1:place></st1:city><span style="font-family: Arial;">dth of identifying what I actually suspect could have
started the very revolution in poetics of which they were dreaming, the flip
side of the measure/mysticism coin. The poem as sound, as measure &amp; song as
much as <span class="GramE">speech,</span> let alone the narrow gargling of the
sound poets. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">&amp; if such a poetics is
again possible, or even plausible, reading Kelly &amp; these great books is the
necessary way back in.</span><span style="font-family: Arial; font-size: 10.0pt;"><o:p></o:p></span></div>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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